Video production & content strategy · Dubai

Edits that keep people watching.

Long-form and shorts, cut for retention and built to do one thing: bring you more views, more leads and more clients. Plus the harder half, deciding what's worth filming in the first place. I'm an editor first. The rest is what stops you ever needing a new one.

Get a quote See the work

The work

One long-form anchor, then the shorts. Each one had a specific attention problem to solve.

1:29
Podcast style talking head, cut and graded for retention
0:08
Trading creator The number lands before the thumb moves. Kinetic captions carry the rest.
0:33
Real estate listing Every selling point lands before the tour starts. Then the rooms do the talking.

Raw take → finished cut

Same footage, same person, same room. The difference is the edit.

Raw

Example one. Same 21 seconds. Captions on the words that matter, punch-ins to keep it moving, and graphics that land the point before attention drifts.

Editing is the base

Everyone starts here. The ones who turn views into clients don't stop here, because the hard part was never the edit. It was knowing what to film.

Where most start
Editing
  • Long-form cut for retention, shorts cut for the first three seconds
  • Animated captions, colour grade, sound design
  • Motion graphics where they earn their place
  • Two rounds of notes, one consolidated set each
You send footage, you get finished video back
Filming
  • Camera, lights and sound, anywhere in Dubai
  • Half days and full days
  • Lit, framed and mixed so the business looks the part
I bring the whole setup, you get footage that holds up anywhere
Where the growth is
The content plan
  • No more Sunday night wondering what to post this week
  • Your month mapped to dates, hooks researched and written
  • Built on what's already winning in your niche, not guesswork
A system that learns and compounds with every post
Producing
  • You turn up and talk. That’s the whole job
  • Studio booked and included in the quote, or we shoot where you already are
  • Directed on the day, so you say the things worth cutting
  • The half nobody else offers, and the reason the rest works
You talk for a day, you post for a month

Tell me what you're making and I'll tell you straight which of these you need, and which you don't. Start there.

How it works

The bit that separates this from handing footage to an editor and hoping.

01
We talk properly
Coffee, Zoom, you name it. A real conversation about your business, not a sales call. Costs you an hour.
02
You get a brief, free
Written, and with you within hours. Your niche researched, your competitors picked apart, and the gap they're all missing. Most people send a voice note and a price.
03
The month gets planned
Every piece against a date, hooks researched and written. You know exactly what you're filming before you pick up a camera.
04
I shoot it, or you send it
Then it gets cut. Shorts in 2–3 days, long-form in 4–6, faster on a monthly plan.

And it gets better

Most content is a guess, repeated monthly until everyone loses interest. Yours gets sharper every month, because every post tells me something about what your buyers actually watch.

You stop guessing
Every piece gets measured. The ones that land get pushed harder, the ones that don't quietly stop appearing. You'll know which was which, and why.
It doesn't go stale
The target moves up as you grow, so nothing coasts on a result from six months ago. A content plan written once and repeated forever is just a calendar.
Month three beats month one
Month one leans on deep research into your niche and the accounts beating you. After that it runs on your own audience, and yours behaves like nobody else's.

All it needs from you is read-only access to your numbers and a few minutes together each month. Anyone can sell you a content calendar. This is the part they can't.

Seventeen years in the timeline

I've been editing since I was 13. Seventeen years, almost all of it on YouTube, where nobody watches out of politeness. Whether someone finishes a video almost never comes down to the effects. It's the pacing, the storytelling, the first three seconds, and being ruthless about what gets cut.

I'm in Dubai. Not twelve time zones away, not an agency account manager passing your notes to someone you'll never speak to. You send the footage to me, and I'm the one who cuts it.

Taylor Behenna in silhouette, filming with a cinema camera at sunset
17 yrs
Editing experience
Dubai
Same timezone, same city
48h
Priority turnaround

Tell me what you’re making

Footage sitting on a drive, or nothing filmed yet and no idea where to start. Either is a fine place to begin. You get a written brief back either way, free.

Message me